Oil On Canvas, Real Flavor of Old Masters

All Thomas Gainsborough 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
33814  
Robert Andrews and his Wife Frances, Thomas Gainsborough
  		 Robert Andrews and his Wife Frances   mk86 c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
21934  
Robert Andrews and his Wife Frances (mk08), Thomas Gainsborough
  		 Robert Andrews and his Wife Frances (mk08)   c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
28736  
Robert Butcher of Walthamstan, Thomas Gainsborough
  		 Robert Butcher of Walthamstan   mk61 Oil on canvas 75x62cm
84411  
Saintes, Thomas Gainsborough
  		 Saintes   1783(1783) Medium Oil on canvas Dimensions 71 x 40 cm (28 x 15.7 in) cyf
44572  
Sarah Siddons, Thomas Gainsborough
  		 Sarah Siddons   mk173 1785 Oil on canvas 125.7x100.3cm
78959  
Sarah Siddons, Thomas Gainsborough
  		 Sarah Siddons   1785(1785) Medium Oil on canvas Dimensions 126 x 100 cm (49.6 x 39.4 in) cyf
38190  
Sarah,Lady innes, Thomas Gainsborough
  		 Sarah,Lady innes   mk29 c.1757 Oil on canvas 101.6x72.7cm
89199  
Seashore with Fishermen, Thomas Gainsborough
  		 Seashore with Fishermen   1781-1782 Medium oil on canvas cjr
78819  
Self portrait, Thomas Gainsborough
  		 Self portrait   1787(1787) Medium Oil on canvas Dimensions 73.5 x 58.5 cm (28.9 x 23 in) cyf
79011  
Self portrait, Thomas Gainsborough
  		 Self portrait   1754(1754) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
81390  
Self portrait, Thomas Gainsborough
  		 Self portrait   1758-1759 Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
1316  
Self Portrait ss, Thomas Gainsborough
  		 Self Portrait ss   1787 Royal Academy of Arts, London
26932  
Self-Portrait, Thomas Gainsborough
  		 Self-Portrait   mk52 C.1759 Oil on canvas 76.2x63.5cm Natinal Portrait Gallery,London
29553  
Self-Portrait, Thomas Gainsborough
  		 Self-Portrait   1787 Oil on canvas
40621  
Self-Portrait, Thomas Gainsborough
  		 Self-Portrait   mk156 1790 Oil on canvas 100x81cm
40894  
Self-portrait, Thomas Gainsborough
  		 Self-portrait   mk156 c.1754
40934  
Self-portrait, Thomas Gainsborough
  		 Self-portrait   mk158 1754
40959  
Self-Portrait, Thomas Gainsborough
  		 Self-Portrait   mk158 c.1759
58908  
Self-Portrait, Thomas Gainsborough
  		 Self-Portrait   Self-Portrait (1754)
77174  
Self-portrait, Thomas Gainsborough
  		 Self-portrait   1754(1754) Oil on canvas 58 ?? 49 cm (22.8 ?? 19.3 in) cjr
40908  
Self-portrait with and Daughter, Thomas Gainsborough
  		 Self-portrait with and Daughter   mk158 c.1748
98104  
Sir Benjamin Thompson, Thomas Gainsborough
  		 Sir Benjamin Thompson   Dimensions: 75.25 cm. x 62.55 cm. actual cyf
40917  
St Mary-s Church, Thomas Gainsborough
  		 St Mary-s Church   mk158 Hadleigh Suffolk 1747-48
40910  
Study for a Foreground,a Bank with Weeds and Thistles, Thomas Gainsborough
  		 Study for a Foreground,a Bank with Weeds and Thistles   mk158 c.1750
39726  
Suffolk landscape, Thomas Gainsborough
  		 Suffolk landscape   mk150 c.1750 Canvas 66x95cm
76733  
Suffolk Landscape, Thomas Gainsborough
  		 Suffolk Landscape   Suffolk Landscape, mid-1750s oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum. cjr
80228  
Suffolk Landscape, Thomas Gainsborough
  		 Suffolk Landscape   oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum Date mid-1750s cyf
58898  
Sunset, Thomas Gainsborough
  		 Sunset   Sunset (1760)
58905  
The Artist Daughters, Molly and Peggy, Thomas Gainsborough
  		 The Artist Daughters, Molly and Peggy   The Artist`s Daughters, Molly and Peggy (1760)
51017  
The Artist-s Daughters with a Cat, Thomas Gainsborough
  		 The Artist-s Daughters with a Cat   1759-61 Oil on canvas, 75,6 x 62,9 cm
56138  
the blue boy, Thomas Gainsborough
  		 the blue boy   mk247 1770,oil on canvas,70x48 in,178x122 cm,huntington art collections,san marino,ca,usa
58892  
The Blue Boy, Thomas Gainsborough
  		 The Blue Boy   The Blue Boy (1770). The Huntington, California.
40918  
The Charterhouse,, Thomas Gainsborough
  		 The Charterhouse,   mk158 London November 1748
40921  
The Fallen Tree, Thomas Gainsborough
  		 The Fallen Tree   mk158 c.1750-53
1304  
The Harvest Wagon, Thomas Gainsborough
  		 The Harvest Wagon   1767 Barber Institute of Fine Arts, Birmingham
50852  
The Harvest wagon, Thomas Gainsborough
  		 The Harvest wagon   mk216
52715  
The Harvest Wagon, Thomas Gainsborough
  		 The Harvest Wagon   mk223 Oil on canvas
56578  
the harvest wagon, Thomas Gainsborough
  		 the harvest wagon   mk248 gainsborougb, som enbart verkade i sin atelje, ardetade ofta mot en malad landskapspsfond, upplyst av levande ljud.han kom att upppskarra rubens ocb den nederlandske madtarens influenser marks bar i de flytande liytande linjerna ocb korsnedtagningen.
31817  
The hon.frances duncombe, Thomas Gainsborough
  		 The hon.frances duncombe   mk76 Painted c.1777 Oil on canvas 92 1/4x61 1/8in
1308  
The Honorable Mrs Graham, Thomas Gainsborough
  		 The Honorable Mrs Graham   1775-77 National Gallery of Scotland, Edinburgh
52721  
The Honourable, Thomas Gainsborough
  		 The Honourable   mk223 Mrs Graham Mrs Graham was one of the many society beauties Gainsborough painted in order to make a living,although he preferred painting landscapes
50859  
The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living, Thomas Gainsborough
  		 The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living   mk216
40916  
The Idle-Prentice at Play in the Church Yard during Divine Service, Thomas Gainsborough
  		 The Idle-Prentice at Play in the Church Yard during Divine Service   mk158 1747
40962  
The Lady-s Last Stake, Thomas Gainsborough
  		 The Lady-s Last Stake   mk158 1759
43295  
The Maket Cart, Thomas Gainsborough
  		 The Maket Cart   mk170 1786 Oil on canvas 184.2x153cm
31818  
The mall in St.James's Park, Thomas Gainsborough
  		 The mall in St.James's Park   mk76 Painted probably in 1783 Oil on canvas 47 1/2x57 7/8in
38231  
The Mall in St.James-s Park, Thomas Gainsborough
  		 The Mall in St.James-s Park   mk29 c.1783 Oil on canvas
78936  
The Marsham Children, Thomas Gainsborough
  		 The Marsham Children   1787(1787) Medium Oil on canvas Dimensions 243 x 182 cm (95.7 x 71.7 in) cyf
33816  
The Morning Walk, Thomas Gainsborough
  		 The Morning Walk   mk86 c.1785/86 Oil on canvas 263.3x179.1cm London,Nationa Gallery
21936  
The Morning Walk (mk08), Thomas Gainsborough
  		 The Morning Walk (mk08)   c.1785/86 Oil on canvas 263.3x179.1cm London,National Gallery
58895  
The Painter Daughters Chasing a Butterfly, Thomas Gainsborough
  		 The Painter Daughters Chasing a Butterfly   The Painter`s Daughters Chasing a Butterfly
1306  
The Painter's Daughters Chasing a Butterfly, Thomas Gainsborough
  		 The Painter's Daughters Chasing a Butterfly   1755-56 National Gallery, London
40942  
The Painter-s Daughters chasing a Butterfly, Thomas Gainsborough
  		 The Painter-s Daughters chasing a Butterfly   mk158 c.1756
40953  
The Shepherd Boy, Thomas Gainsborough
  		 The Shepherd Boy   mk158 c.1757-59
40935  
The Suffolk Plough, Thomas Gainsborough
  		 The Suffolk Plough   m158 c.1754
44601  
The three Eldest Princesses, Thomas Gainsborough
  		 The three Eldest Princesses   mk173 1784 Oil on canvas 129.5x179.7cm
33815  
The Watering Place, Thomas Gainsborough
  		 The Watering Place   mk86 1777 Oil on canvas 147.3x180.3cm London,National Gallery
21935  
The Watering Place (mk08), Thomas Gainsborough
  		 The Watering Place (mk08)   1777 Oil on canvas. 147.3x180.3cm London,National Gallery
79080  
Thomas Graham, Thomas Gainsborough
  		 Thomas Graham   1777(1777) Medium Oil on canvas Dimensions 237 x 154 cm (93.3 x 60.6 in) cyf
58903  
Two Daughters with a Cat, Thomas Gainsborough
  		 Two Daughters with a Cat   Two Daughters with a Cat (c. 1759)
92659  
View in Suffolk, Thomas Gainsborough
  		 View in Suffolk   c. 1755 Medium oil on canvas Dimensions 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm) cjr
33817  
Woman in Blue, Thomas Gainsborough
  		 Woman in Blue   mk86 before 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
77571  
Woman in Blue, Thomas Gainsborough
  		 Woman in Blue   Oil on canvas 76 ?? 64 cm (29.9 ?? 25.2 in) cjr
79528  
Woman in Blue, Thomas Gainsborough
  		 Woman in Blue   Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
79602  
Woman in Blue, Thomas Gainsborough
  		 Woman in Blue   Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
21937  
Woman in Blue (mk08), Thomas Gainsborough
  		 Woman in Blue (mk08)   1780 Oil on canvas 76x64cm St Petersburg,Hermitage
1319  
Wooded Landscape with Mounted Drover, Thomas Gainsborough
  		 Wooded Landscape with Mounted Drover   1780
40904  
Wooded Landscape with River, Thomas Gainsborough
  		 Wooded Landscape with River   mk158 mid 1740s
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Thomas Gainsborough
1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.



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